Marcel Proust, a great admirer of Verdi’s La Traviata. Local opposition to their unmarried status colours Verdi’s depiction of Giorgio Germont’s disapproval of his son’s affair with Violetta in La Traviata. He and Giuseppina, although in a relationship since 1847, did not marry until 1859. With success came affluence, and in 1851 he moved with his partner, the soprano Giuseppina Strepponi, into a new villa where he lived until the end of his life. The realism of La Traviata, with its courtesan heroine and contemporary setting, caused consternation, and throughout Verdi’s lifetime the opera was usually staged set in the 18th century.īusseto and its environs remained his home for much of his life. Verdi spent much of his career struggling to get his work past the censors, who frequently raised objections on political or moral grounds, and he had to make substantial changes to the text of Rigoletto, based on a play by Victor Hugo, banned as both inflammatory and obscene, before it was permitted on stage. They were not, however, without controversy in their day. Verdi’s discouragement, combined with depression at the death of his first wife, almost made him abandon composition, though his third opera, Nabucco, undertaken at Merelli’s insistence, made him famous overnight.īetween 18 he composed three masterpieces, Rigoletto, Il Trovatore and La Traviata, which remain among his most popular operas. ![]() Un Giorno di Regno was a fiasco the following year, however. His first opera, Oberto, was well received at its La Scala premiere in 1839, and the theatre’s manager, Bartolomeo Merelli, wanted more. At 18 he was rejected by the Milan conservatory, but remained in the city (at Barezzi’s expense) to study privately. The son of an innkeeper, Verdi was born in Le Roncole, near Parma, and went to school in nearby Busseto, where his talent was noticed by Antonio Barezzi, a local merchant, who oversaw his early musical education. It even features in the video game Grand Theft Auto. The Grand March from Aida, meanwhile, has become a staple of the brass band repertory and is sometimes used at weddings, and Verdi’s music can be heard on the soundtracks of films from Zack Snyder’s 300, Claude Berri’s Manon des Sources to Luchino Visconti’s Senso, it has advertised lager, jeans and pasta sauce. In Italy, the Chorus of Hebrew Slaves from Nabucco has long been associated with national unity and solidarity. director Robert Wilson as an actress.Verdi was an outstanding melodist, and some of his arias and choruses – such as La Donna è Mobile from Rigoletto, La Traviata’s Brindisi (the drinking song) and the Anvil Chorus from Il Trovatore – are familiar to millions. She returned again to San Francisco in 1980.Īfter she retired from opera, she moved to the Thalia Theater in Hamburg, Germany, where she worked with U.S. Others followed, including Azucena in "Il trovatore" and Dame Quickly in “Falstaff” by Giuseppe Verdi, Herodias in “Salome” by Richard Strauss, Mother Goose in “The Rake’s Progress” by Igor Stravisnky and many others. In 1962, Červená started her 11-year regular cooperation with the San Francisco Opera in the title role of Georges Bizet’s Carmen, her trademark character. She performed with conductors such as Rafael Kubelik, Herbert von Karajan, Pierre Boulez, Charles Mackerras and Francesco Molinari Pradelli. In the West, Červená was based at the Frankfurt Opera, but she became known for her guest performances in numerous opera house in Europe and the United States, including in Vienna, Milan, Paris, Amsterdam, Los Angeles, Chicago and festivals at Bayreuth and Glyndebourne and many others. The Iron Curtain kept her outside her country for 30 years. “I couldn’t live and sing without freedom,” she once told the Czech public radio. ![]() 9, 1925 in Prague, Červená was as a guest singer at the Unter den Linden opera and the Berlin State Opera in the Soviet-controlled part of Berlin when she emigrated to West Berlin in January 1962 through the last opened crossing in the newly built Berlin Wall. Červená died Sunday at a hospital in the Czech capital where she was being treated for an unspecified illness, the National Theater in Prague said.īorn Sept. PRAGUE - Soňa Červená, a Czech opera singer who became known for playing Carmen and more than 110 roles in San Francisco and other opera houses behind the Iron Curtain, has died.
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